At this point, there have been three attempts to make a movie follow-up to Ghostbusters that captured everything that made the original such a classic. None of them have managed to do it.
But it’d be unfair to be too critical of them for that, since the original Ghostbusters was such a once-in-a-lifetime confluence of ideas, execution, and timing that it’s impossible to pick the one trait that made it such a classic. Back in 1989, when I was feeling so betrayed by Ghostbusters II, I probably should’ve kept in mind how completely surprised I had been by the original.
I’d gone in expecting it to be another Meatballs or more likely, Stripes: a movie built around Bill Murray’s charmingly lecherous, rebellious, screw-up persona that somehow became an engaging action comedy. It was only after the opening sequence, with a genuinely scary library ghost, that I realized this wasn’t “just” a comedy.
If the decades of behind-the-scenes accounts and making-of stories and frequent retellings are to be believed, that dichotomy was present in the project from concept all the way through to filming. Dan Ackroyd supposedly had a concept that went all-in on the lore, and Harold Ramis and Ivan Reitman came in to steer it back towards family comedy. I’m skeptical that it was as clear-cut as all that, but it is evident in the movie, which has way more plot and world-building than a comedy needs, even in the golden age of movies that 1984 turned out to be.
(Case in point: possibly my favorite line in the movie is when the under-appreciated MVP of the whole project, Rick Moranis as Louis Tully, is foretelling the coming of Gozer the Traveler. From IMDb: “Then, during the third reconciliation of the last of the McKetrick supplicants, they chose a new form for him: that of a giant Slor! Many Shuvs and Zuuls knew what it was to be roasted in the depths of the Slor that day, I can tell you!”)
So any attempt at a follow-up inevitably has to decide what it was that made the original work so well. Ghostbusters (2016) decided that it was a special-effects-heavy comedy featuring SNL alumni as wacky, hapless outcasts crackin’ jokes while bustin’ ghosts. Ghostbusters: Afterlife decided that it was a lighthearted supernatural adventure whose strength came from its characters and their discoveries.1Ghostbusters 2 decided that Ghostbusters had made Columbia Pictures a lot of money, so bringing back the entire cast with more studio interference and a smaller budget couldn’t help but recapture lightning in a bottle.
Honestly, neither one is wrong. But neither one is quite able to encompass everything that made the original work, either. Is it better to be entertaining in the moment but ultimately forgettable? Or to be more earnest and emotionally resonant at the expense of much of the comedy and action?Continue reading “Sunday Smackdown: Ghostbusters (2016) vs Ghostbusters: Afterlife (2021)”
- 1Ghostbusters 2 decided that Ghostbusters had made Columbia Pictures a lot of money, so bringing back the entire cast with more studio interference and a smaller budget couldn’t help but recapture lightning in a bottle.