Tuesday Tune Two-Fer: Move Fast and Break Down

Two tangentially-related tunes to listen to while waiting for Silicon Valley to collapse

I don’t know about y’all, but I was already pretty disillusioned with Silicon Valley several years ago, when I was working as an app developer in San Francisco. I was shuffling between BART and MUNI trains with a bunch of hoodie-wearing maniacs pacing back and forth like caged tigers who couldn’t wait one more second to get to their open-office-plan desks and start disrupting shit.

And that was before I really appreciated the incredible magnitude of egomania that was running rampant among the guys making way over my pay grade, who acted like bypassing governmental regulations and selling people stuff they don’t really need were revolutionary ideas.

In fact, neither moving fast nor breaking things were all that novel. Look at Fiona Apple! Maybe no other public figure besides Sonic the Hedgehog understood what it meant to move as Fast As You Can.

Corny dad-level analogies aside, every time I hear a Fiona Apple song, I think “this is brilliant; why don’t I listen to Fiona Apple all the damn time?” And then I listen to a bunch and I remember why. She’s brilliant, but I don’t feel like I have brain chemistry balanced enough to mainline too much of it at once without going into a depressive episode.

I need to break it up with a song like “My Lovin’ (Never Gonna Get It)” by En Vogue, which I try to listen to at least once a month to keep my spirits up. If I go too long without hearing it, the never gonna get it never gonna get it starts to pick away at my brain until it’s satiated. I can’t say I’m that familiar with the rest of their music1Although “Giving Him Something He Can Feel” is also excellent, but this song is a bona fide classic.

(One thing I’ve never understood about this video: they’ve got four of the most beautiful women working in music, with some of the most iconic costumes from the history of music videos, so why the hell do they keep cutting away from them? I understand that at this time, having quick flashes of silhouetted dancers against a solid color background was required by Music Video Law, but they could’ve just done a couple and left more time for the stars. And I tell you what: if I’d gone to the trouble of putting on a tight dress and a wig, and they told me they were going to cut away to some guy dancing in a gimp suit, I would’ve been out the door!)

And now it’s time for a breakdown!

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    Although “Giving Him Something He Can Feel” is also excellent