For a minute, I was confused by how people were having such a strong aversion to the Super Mario Bros trailer, considering that Chris Pratt only has a total of two lines and some assorted grunts. Then I remembered the thing that I always forget about Twitter, which is that it’s all about being first, not about being insightful. People have been gearing up to scoff and/or be outraged ever since the first (admittedly weird) casting announcement, and it’s way too late at this point for anyone to say, “we will remain cautiously optimistic until we see more footage from this family-oriented animated feature film” I often forget how the internet works, and for that I apologize.
But as I was getting more baffled and annoyed at people getting so worked up over nothing, I started to realize something that I never fully appreciated about the Mario series: Miyamoto and Nintendo DGAF. Or rather, they care deeply about the right things, but don’t particularly care about the things people on the internet expect them to care about.
Because pretty much all of the Mario games show such a great amount of care and attention to the smallest details — all of the main-line ones, definitely, and most of the side games, even including many of the licensed ones — it’s easy for me to take for granted that they’re obsessive over the same stuff that I’d be obsessive over, if I were in charge of a hugely profitable, long-running, global franchise: world-building, character development, continuity, and so on.
What’s weird is that I’ve kept thinking of them in those terms, even though there’s absolutely zero evidence in any of the games or licensed material. Each of the games1Except for the direct sequels, like Mario Galaxy to Mario Galaxy 2 takes place in a different universe. Many of the characters and settings are recurring, but new ones are constantly being introduced and old ones re-imagined. Everything is based on the central mechanic of the game — he’s got a magic hat! he’s got a spray gun! he can turn into a cat! he’s in 3D! — and, like 1984, is treated as if it’s always been that way, of course: “King Koopa has always been at war with the Mushroom Kingdom. Mario has always been able to jump through star gates between tiny planets.” Mario has been doing multiverses since before it was cool.
Granted, it’s not the most insightful epiphany I’ve ever had, but it gives me even more appreciation of the brilliance of the franchise than I had before. If Miyamoto and Nintendo were as precious with Mario and the associated characters as some people expect them to be, obsessed with lore and continuity, it would’ve quickly become a soulless, repetitive, and predictable run of decreasingly inspired sequels. Instead, they’ve generally shrugged about the sanctity of the characters2As long as they’re generally family-friendly, and true to a basic set of personality sketches even less detailed than the Disney characters’. and only insisted that the games themselves be imaginative and polished.
Instead of being overly fixated on a style bible, they’ve allowed the characters to be re-interpreted in dozens of different (and highly marketable!) ways. Why shouldn’t they play tennis together, or golf, or race go-karts? Why can’t they have plumbing side-jobs as doctors or ghost-hunters or typing instructors? Instead of being overly possessive of their “classic” assets, they made two whole games just giving you all the pieces and inviting you to remix your own games. Instead of being risk-averse with casting, they agreed for their flagship character to be played by a professional wrestler, and a British guy.
I initially thought it was weird to cast Chris Pratt as Mario, but in retrospect that was a dumb reaction. Why not cast a personable movie and TV star with experience doing comedy in both live action and animation as the lead in your animated family action comedy? Mario actor Charles Martinet (who is also prominently credited in the trailer) is extremely good at suggesting a ton of character with just the occasional “it’s-a me!” and “okey dokey!” but that specific voice would be hell of grating over an entire feature film. And having Mario stare blankly and silently while the surrounding characters are all energetic and interesting would just rob Mario of any personality; he’d end up Gordon Freeman-ed.
So to sum up: I think the new movie looks pretty neat and fun, and I’m more interested in it than I was before. I think Nintendo’s handling of the Mario characters is even more clever than I did before. And a lot of people on Twitter seriously need to chill out, go outside, and touch some mushrooms.
- 1Except for the direct sequels, like Mario Galaxy to Mario Galaxy 2
- 2As long as they’re generally family-friendly, and true to a basic set of personality sketches even less detailed than the Disney characters’.