At the time I’m writing this, I’ve seen the first five episodes of Ms Marvel on Disney Plus1I believe it’ll be a six-episode series, so only the finale is left.. I’ve been surprised by how much I enjoyed it; I can’t really think of a better word to describe it than delightful.
I admit that I initially assumed that it would be little more than a victory lap for the MCU2Kind of like Rogers The Musical combined with some nods to Muslim-American culture that could either come across as pandering or inert. Instead, there’s a real feeling of enthusiasm, excitement, and pride that comes through.
It’s what makes the series work, since it would frankly be underwhelming if it were nothing more than an MCU super-hero origin series: the pacing is weirdly disjointed, as stuff just seems to happen instead of flowing together in a clear chain of cause-and-effect. But the disjointed pacing in most MCU projects seems to be the result of trying to cram in big action set pieces at predetermined intervals, while here it’s reversed. In Ms Marvel, it usually feels as if they’re trying to work backwards from a predetermined set of character moments, while fitting everything into a set of 30-minute episodes.
But those character moments work largely because the performances are so good. Iman Vellani as Kamala Khan is so perfectly cast that it’s almost absurd; Marvel has released making-of featurettes that describe how Vellani was at least as big a fan of Captain Marvel (and Ms Marvel, and the comics in general) as her character is, and it comes across as completely genuine.
I’m also really impressed with Zenobia Shroff’s performance as her mother Muneeba Khan. Her character is given so many opportunities to evaporate into clichés, but she manages to feel genuine and sympathetic throughout. Any story about a teenager coming of age is going to have scenes where the parents are antagonists, but even when she’s set up to be the main obstacle, there’s a sense that you can understand why she’s doing the things she does. It would’ve just come across as “hyper-protective immigrant mom” had she not been able to convey a genuine sense of compassion.
All of that works together towards what I think is the one thing I like most about Ms Marvel, which is essentially the same thing I liked about Hawkeye, which is that it has a tone and focus that go beyond just being a super-hero origin story. Kamala Khan is a character even more obsessed with super-heroes than Kate Bishop was, but these series don’t accept “super-hero” as a genre on its own. Hawkeye was an action-comedy that frequently called back to the MCU, while Ms Marvel is a coming-of-age story about a Pakistani Muslim-American teenager that uses the supernatural not so much as the focus, but as the thing that helps her define herself.
Part of that is knowing what the target audience is. This feels like a show about a teenager that isn’t necessarily targeted at teenagers, but designed from top to bottom to be something that teenagers can watch with their families. That means that the crises are kept mostly in the realm of things that a girl in high school in Jersey City would be concerned about, with the destruction of the entire world3Because this is still an MCU super-hero story, after all being treated as a backdrop for more personal stories.
I spent a lot of the series thinking that I was enjoying it, but I was just barely included in the target audience, but as the series has progressed, the more I’ve been convinced that it is at least partially aimed at people like me — white Americans who don’t know much about the experiences of American immigrant families, and only the most basic details about non-European history.4And distressingly little about non-European present. I don’t know how much, if any, of the series was actually filmed in Karachi, but seeing even the MCU version of it was more than I’ve ever seen of Pakistan in the media. I’ve picked up the barest hint of basic info about the separation of India and Pakistan, but I either never knew, or I’d forgotten, how much of the conflict was driven not just by British colonialism, but by divisions between Muslims and Hindus. Obviously I’m not claiming that I’m now an authority, but seeing even this much presented in an accessible format is more than I’ve gotten before.
I’ve read criticism from the original Ms Marvel comics writer, lamenting that the TV series chose to change Kamala’s powers from the body-stretching/shape-shifting ones in the comics to something “shiny and sparkly.” I can see both sides to the argument, as I understand it. I like the TV origin story much better than the comics I’ve read — even if The Inhumans hadn’t been such a disappointment, tying Kamala’s origin story to that instead of something more rooted in Islamic mythology would’ve been a huge missed opportunity. Also, even if the body-stretching imagery looked good — and it rarely looks good even on feature film budgets, much less in a TV series — it would make Kamala seem more like a junior Reed Richards than a hero inspired by Carol Danvers.
But there is an extremely important idea from the comics that has undeniably been lost in the TV translation: in the comics, when Kamala first gains her powers, she almost subconsciously takes on the form of a more Westernized version of beauty. It takes a while before she’s comfortable presenting herself as a Pakistani-American teenage girl with a big weird fist, because she’s spent her entire life being barraged with imagery that suggests she’s weird and different. Ironically it’s kind of a shame that the TV version of Kamala comes across as more confident than her comics counterpart — she’s often insecure, and often feels like an outsider, but in the TV version, it’s more because of her nerdiness than her ethnicity or heritage.
To be fair, the TV series does hint at that, with a scene in which obnoxious white kids give her alcohol at a party, but it’s pretty brief. Most of the series presents Kamala and her family as part of a sizable Muslim community that welcomes non-Muslims, instead of portraying them as an isolated enclave surrounded by people who see them as outsiders.
I’m obviously not qualified to say whether that’s an entirely positive change or not. It does have the effect of making me feel even more like I intersect with the target audience, though — the comics felt as if they were made to give Muslim and South Asian teenagers in general a character whom they could directly identify with, from someone who understands what their experiences are like. The TV series often feels more like it’s intending to show non-Muslims like me what a different culture is like. I do wonder if it would seem too simplistic, too juvenile, or too didactic for teenagers who’ve already grown up in that environment, but I can only say that I’ve loved seeing the portrayal of a culture that’s not my own, but inclusive.
- 1I believe it’ll be a six-episode series, so only the finale is left.
- 2Kind of like Rogers The Musical
- 3Because this is still an MCU super-hero story, after all
- 4And distressingly little about non-European present. I don’t know how much, if any, of the series was actually filmed in Karachi, but seeing even the MCU version of it was more than I’ve ever seen of Pakistan in the media.