Because there haven’t been enough people posting their opinions about this movie online
- I like it better than Ragnarok. I don’t think there are any moments in Love and Thunder that hold up to the best moments of Ragnarok, but I think it works better as a movie overall, largely because it feels more confidently silly instead of trying to balance pathos and heavy metal while proving “a Thor movie can too be funny.”
- Russell Crowe as Zeus was clearly there to have fun and felt he had absolutely nothing to prove. Ever since Endgame, I haven’t been able to make up my mind whether the MCU as a whole and Thor in particular are making fun of fat people, or if it’s just acknowledging that a physique like Chris Hemsworth’s isn’t natural (or even attainable) to most people and is every bit an active choice. Love and Thunder makes it even murkier, but at least Crowe seems to be delighted to appear in armor that highlights his “post-divorce” body.
- Tessa Thompson as King Valkyrie had to underplay her performance — as she often had to be the straight man surrounded by absurdity — but she still managed to be a distinctive character who fit perfectly into this bizarre universe. The result was that she was powerfully sexy and attractive in just about every scene, even for an actor who is usually the sexiest person on camera without even trying.
- The lighter tone worked overall because it made the darker subjects feel less like maudlin manipulation. Jane’s cancer story in the comic felt cheaper to me because it tried so hard to give the subject the gravitas it was supposed to deserve, which was then undercut by introducing a magic hammer. I felt the movie was actually more respectful by letting her be silly and over-enthusiastic about getting to be a superhero. It spun the premise from “real-world tragedy given a supernatural spin” to one about a character choosing what to make of her life.
- The screaming goats were overused and yet they still made me laugh every single time.
- The girl using her stuffed animal as a weapon was a little predictable and obvious but still worked 1000%.
- Gorr the God-Butcher’s story didn’t give Christian Bale any opportunities to be funny, but it worked perfectly as a counterpoint to the silliness of the rest of the movie, emphasizing how increasingly cosmic-powered and god-like superheroes become disgusting when they act without integrity and responsibility.
- It also meshed surprisingly well with Jane Foster’s story, bringing the idea back from “who would win in a fight?” or “who will be first to reach the magic MacGuffin?” to questions about why we do the things we do, and why do we exist at all.
- It’s my favorite of the Taika Waititi projects I’ve seen. Every time I see a project where he’s a creative lead, I’m left with the feeling that I wish I liked it more than I actually do. It often feels like the sense of freedom that makes his projects so appealing is combined with a lack of restraint. So jokes that don’t really land are given way too much screen time, and the stories often feel disjointed in tone and weirdly flippant. In Love and Thunder, I think the shifts in tone were used for good effect: the silly stuff felt like it was poking fun at targets who deserved it, while more serious subjects were treated with enough levity that they felt authentic instead of maudlin.