It has come to my attention that the street gang in last week’s episode of The Book of Boba Fett were directly (and blatantly!) patterned on Mods, not just “vaguely European” as I’d thought. I regret the oversight. I do love that Fennec Shand explicitly calls them “the Mods” in this episode, presumably from “modified.”
(I’m also embarrassed that I didn’t come up with with calling them “Mos Vespas.” I mean it was right there and I didn’t see it).
I was also aiming low last episode, apparently, since I was delightfully surprised to see Stephen Root show up in a Star Wars franchise. In retrospect, he was bound to show up eventually, considering the demand for character actors for all the new movies and series. The bigger surprise was this week, when Thundercat showed up as a rad black market cybernetic-modification installer. Complete with a rad soundtrack during the A-Team-inspired montage where he wheels out a special cart holding his robot arm replacement. It was one of those cases where I could tell he was having a blast to be in Star Wars, and I was so happy for a complete stranger. I’m sure the make-up crew was also happy that they didn’t have to do a whole lot to make Thundercat fit into Star Wars.
Even though episode 2 is still by far my favorite, I’ve liked all the episodes so far, and this one definitely didn’t disappoint. On the surface, episode 4 just seems like wrapping up act two and heading into the climax — the flashback part of the episode detailing how Boba Fett found and saved Fennec Shand didn’t seem to be reinforcing or building on ideas in the “main” story, but simply connecting the dots. It was full of great, satisfying moments, but I didn’t immediately pick up on any “thematic resonance” that the other episodes had.
But after thinking about it some more, I think it just makes explicit the themes that have been going through the rest of the series. This one is about loyalty through respect, explaining exactly why Boba Fett has been doing what he’s doing. It’s important to see him continuing to build alliances and add characters to his gang. Even past adversaries, like Black Krrsantan and that rabbit droid. I’d been wondering how they’d make a story about an anti-hero feel compelling, and they’ve done it by showing he’s got his own code of honor.
And I’ve got to admit it’s fun to have a series where the characters aren’t constantly struggling to stay true to the light side. Watching Boba Fett mow down a murderous biking gang was oddly satisfying, as was watching him and Fennec Shand take on the Sarlaac with the coolest weapon in Star Wars.
I also loved the Bantha. Through all of these episodes, I’ve been wondering how things are “supposed” to look, and how much is a limitation of practical effects, shooting scenes in studios instead of on location, or using TV-budget CGI. But the Bantha was so much more expressive and detailed than they’ve ever been shown before, and it never didn’t feel real to me. I don’t want to watch a making-of, because I don’t want to know exactly how it was done.
One thing that occurred to me during this episode is that it feels like they’re finally achieving what Star Wars has been wanting to do in live action for a long time. The train heist from episode 2 was a perfect rendition of late 70s/early 80s Star Wars action and comedy, and I think the scene in the kitchen from this episode nailed the tone that much of the prequels were trying to achieve. Hitting the right combination of goofy slapstick and action violence.
I don’t know how to write fan letters in the Modern Era, but if I did I’d want to thank Jon Favreau for delivering, over and over again, the fun and expansive version of Star Wars that I’ve been wanting to see ever since I was little.