Along with Uninvited, the game I played incessantly on my Mac Plus in college was Dark Castle. (And then, Beyond Dark Castle). Unlike Uninvited, I can call Dark Castle a classic without any qualifications or reservations.
It’s easy to fall into comparing the two games, not just because I played them both around the same time, but because they were very much of an era in Macintosh games. I was late to the Mac because they were so expensive, but even in 1988, there was still a novelty to a home PC with a mouse and a GUI. The standout Mac games are the ones that capitalized on the novelty.
Dark Castle ran in full screen, so it didn’t adapt the Mac Classic UI (but its sharp 1-bit display made it look 100% Mac-like), but it did embrace the mouse. Even though it was ported to other PCs, using the mouse to aim your character’s arm and throw rocks made it feel made for the Macintosh at its core.
The other novelty was digitized audio, which Uninvited also used to a more limited degree. The first thing players of Dark Castle are likely to remember are the Curly noises from the one-eyed goblins, or the sound your character made when running into a wall or falling off a platform. (And in Beyond Dark Castle, it’s like the sound of the torturer cracking his whip at the hanging prisoners).
Another aspect of the game that I didn’t fully appreciate until reading The Secret History of Mac Gaming was how fluid and detailed the animation was. I hadn’t played Karateka or Prince of Persia at that point, so having a characters move in ways more like traditional animation instead of simple Atari 2600-era sprites was completely new to me. If I remember correctly, the animation for Dark Castle was first done analog before being converted to Mac pixel art. It really paid off, as the game felt more like an interactive cartoon than the flashier but more limited Dragon’s Lair and Space Ace.
It only occurs to me now how often games go through the same cycle — new hardware brings an initial burst of creativity as developers make games tailor-made to take advantage of it, and then everything gradually becomes more homogenized as it’s streamlined, simplified, and cross-ported. Some of the first and best games for iOS took advantage of everyone on the planet having a touchscreen with an accelerometer, resulting in games like Flight Control and even Fruit Ninja. But people still were eager to just slap a virtual joystick on the screen and keep making the same types of games they were already familiar with. I think that’s another part of the appeal for the Playdate to me — yes, the crank is a novelty gimmick, but it also tempts developers into thinking of novel ways to use it and entire game mechanics based around it.