Pretty early in the first episode of Loki, there’s a brief scene where he’s forced to consider whether he’s a robot without being aware of it. I like the scene because it’s got such good line reads from both actors. More than that, though, it’s a good example of how the MCU acknowledges the absurdity of the whole premise of the MCU: trying to translate decades of comic book weirdness into “mainstream” movies and television.
I liked the first episode of the series a lot, but there wasn’t the same “electricity” I felt from the novelty of watching WandaVision. And I don’t think that’s a criticism! It’s a sign that 10+ years of gradually pushing out the borders of what’s “too weird for Hollywood” has paid off.
There’s so much great stuff going on in this series: the set direction, art direction, costume design, prop design, a fantastic retro animated sequence, some imaginative VFX with various time doorways and what is essentially an “exposition projector,” not to mention great casting including the always-welcome Pillboy. (Eugene Cordero, who’s just great).
And yet, I don’t have much to say about it! It’s not that novel anymore; its presence alone isn’t that remarkable. Which means I don’t have to consider the changing level of respectability of genre fiction in the mainstream, parallels to aesthetics of the Fallout series, how ideas established in comics translate to live action, any of it. I can just enjoy watching it. (Of course, I realize I don’t have to write about any of this stuff for free on a personal blog; I just am unable to turn off that portion of my brain for some reason).
The first episode was full of moments and design decisions that would’ve drawn attention to themselves just a few years ago, but now it just feels like it all simply works without comment.
Also, I was surprised at the end of the episode. We’ve known about the premise of this series forever, so in retrospect, the revelation probably should’ve been obvious. “Who’s the villain in a Loki series?” But I didn’t see it coming at all, which I take as a sign that I was actually watching the show, instead of being in detached cinema studies/media analysis mode. I wasn’t thinking about it in terms of metatext, but just as a story.
Which is how most of the source comics work, now that the 90s are over and there’s less of a trend of high-profile comics stories about comics stories. It feels like we can stop defending genre fiction and justifying genre fiction, and just enjoy genre fiction. And appreciate a Marvel series that finally seems to be embracing the Marvel aesthetic.