Edited to add: Re-reading this, I noticed I’d carelessly used an idiom without thinking of the implications of it. Instead of silently correcting it, I’d rather draw attention to it as a reminder to be conscious of the connotations of what we write. Below, I wrote that Mike’s speech was about “how far black people have come,” which not only sounds condescending, but also makes it sound as if they were overcoming some internal limitation, or somehow “catching up.” What I should have written was “how much black people have accomplished, even in a system designed to keep them down.”
I’ve tried to get into Run the Jewels a few times, but it never “took” until “Ooh LA LA,” released earlier this year but super-appropriate for watching on repeat over the past week.
The image of dozens (hundreds?) of people dancing in the streets as the excesses of capitalism burn around them may be a little on-the-nose, but that doesn’t make it any less awesome to see.
Speaking of capitalism, that’s been the thing keeping me from getting into Run the Jewels for a while. They just seem like they’re trying way too hard to sell me something. I mean, I know that self-promotion is a huge part of hip hop, but they keep banging the same notes over and over again — the fist and the gun, and yeah we get it, you smoke — so often that it feels more like a commercial than a music video.
The reason I gave them another look is because I respect the hell out of Killer Mike for his heartfelt and reasoned call for peace in response to the protests of the George Floyd murder, at a press conference with his school friend, Atlanta Mayor Keisha Lance Bottoms. It was inspiring as hell. Not conciliatory, not compromising, vividly angry and disgusted, but reminding us how far black people have come — especially in Atlanta — and reminding everyone to respect the work of generations of people fighting against injustice and to stop tearing down the things that their work had built. After seeing so many white people tsk-tsking and saying “well I don’t see what looting could possibly accomplish,” it was amazing seeing someone calling for peace while still screaming at a system that callously crushes people with no recourse for justice.
I don’t agree with Killer Mike on a lot of political issues, gun control in particular, but those are the kind of political issues about which reasonable adults can disagree. Regardless, I’ve got to respect anybody using his voice and his platform to promote political activism and progressivism. It probably would be a lot easier just to make a fortune making songs about self-promotion.
Like, say, “Call Ticketron” from 2017. There’s not much to it, as far as I can tell, but it’s catchy and it gives Killer Mike a chance to go nuts with the rhymes. Sometimes that’s all you need.