There’s a new season of a new version of Mystery Science Theater 3000 running on Netflix and I’ve been enjoying the hell out of it. Cry Wilderness is my favorite episode so far; I love the band playing “classic” MST3k songs like “Wild Rebels” and “Creepy Girl;” and even as much as I hate change, all the new cast quickly won me over.
My only complaints: I have a hard time telling the guys’ voices apart, and the pacing is rushed. It feels like they’re trying to cram too much into a show that was originally designed specifically to kill as much screen time as possible. The recurring gimmick that Jonah gets sucked out of the satellite to re-enact the opening credits seems weird and unnecessary. And the mad scientist segments are no longer shot with a Batman ’66-style dutch angle, which was one of my favorite subtle gags from the original.
Well, those are my only legitimate complaints. My main complaint is that all of a sudden out of nowhere, there are thousands of other MST3k fans who claim to enjoy the series as much as I do.
The series was formative for me. It didn’t just play into my sense of humor; it helped define it. I still find myself using phrases I picked up from the show without realizing it. I can distinctly remember the first time I watched it, and the joke that got me instantly hooked. (From Robot Holocaust, “Is that Wendy, or Lisa?”) My .plan file had an animated version of the “Turn Down Your Lights (Where Applicable)” opening. (Yeah, I just used USENET as evidence of nerd cred).
But that’s not particularly unique, as it turns out. I had to get my animated ASCII art from somewhere, after all. There were thousands of MSTies in the info club, and I’d see photos and video from conventions and such. I went to a screening of Zombie Nightmare at UGA during a college tour, and the theater was filled with hundreds of obsessive fans. Cinematic Titanic and RiffTrax live shows in San Francisco would have lines around the block. Obviously, a lot of the cast of the new MST3k are there specifically because they were huge fans of the original.
It should create a kind of camaraderie, which is why it’s odd to see the long list of Kickstarter backers at the end of each episode and feel a bit deflated. In this review of the new series on “What the Flick?”, Alonso Duralde points out that nerds have taken over pop culture, for better or worse, and “I long for outsiderdom.” Of course, it’s completely irrational — even counter-productive — to begrudge something you love becoming successful. But it does inevitably change the dynamic to go from feeling like the creators of the show are talking directly to me, and then to find out it’s more like they’re talking to thousands of people, and I’m listening in.
“Missing Richard Simmons” didn’t do a lot for me overall, but one of the few “larger themes” of it was the asymmetric relationship between a creator or a celebrity and their fans. It’s not accusatory or anything; even artists who knock themselves out being accessible and personable will inevitably run into the fact that it’s a one-to-many relationship. And while the internet does bring fans of weird niche stuff together, it’s perversely isolating, because it reminds you that you’re not all that special.
It’s not entirely my weird nerd neuroses at play, either; I think Joel Hodgson is at least partly to blame. There’s an old quote from Joel that MST3k fans tend to love: “We never say, ‘Who’s gonna get this?’ We always say, ‘The right people will get this.'” In 2017, it can seem a tiny bit insufferable, but for those of us who were fans of a weird puppet show in the early 90s, it was like being inducted into a special private club. I’m one of the right people!
Even though it’s a bit disappointing to find out that my super-special private club wasn’t all that exclusive after all, the show’s still a heck of a lot of fun. Coming from a skeptical and overly-possessive fan, that’s high praise. Even though it feels “bigger,” more polished, and it forgoes the original’s awkward charm for more confident gags, it’s still resolutely its own thing. I found that I enjoyed it a lot more when I stopped trying to compare it to the original and just watched it on its own merits. After all, it’s just a show.